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The script, which Radford also adapted, somehow manages to bring complex ideas to the surface, taking its time, a cerebral rather than emotional piece of writing. It looks perfect (Roger Deakins’ is behind the lens), the decrepit sets, bleak locations, worn costumes, emaciating makeup all bring to life the pages many of us read at school. This is a faithful and respectful translation of George Orwell’s prescient and continuously relevant novel. In this world where war is continuous, where love is a crime, where thinking the wrong thing can get you tortured, he risks everything for an affair with Julia. John Hurt plays Winston Smith, a sickly man who spends his days re-writing history for the benefit of The Party - if they say something didn’t happen, that someone didn’t exist, it’s gone. It’s is a very timely release (as part of HMV’s exclusive Premium Collection), given what’s going on in the world right now, but can it live up to the masterpiece from which it was adapted? In short, the answer is no. The Prime of Miss Jean Brodie? Och aye! It’s a brave filmmaker who takes such a task on and, in 1984, Michael Radford, a few years before international acclaim hit him with Il Postino, made a film version of one of greatest novels of all time, 1984.
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Truly great novels which have their greatness translated to the screen are pretty rare.